Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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unknow artist
Sexy body, female nudes, classical nudes 16

ID: 46996

unknow artist Sexy body, female nudes, classical nudes 16
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unknow artist Sexy body, female nudes, classical nudes 16


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unknow artist

  Related Paintings of unknow artist :. | Chinese Jade book | Still-Life with Fruit | Landscape with Mill near the Salt Ponds | Arab or Arabic people and life. Orientalism oil paintings 33 | Young Children Playing a Game |
Related Artists:
Samuel J.Reader
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Johann Peter Hasenclever
1810 Remscheid-1853 Dusseldorf, German painter. His artistic talent was recognized in 1827, while he was at school in D?sseldorf. The same year he embarked on a course in architecture at the Akademie in D?sseldorf. In 1828 he turned to the study of history painting. After a difference of opinion over the theory of art with the Director of the Akademie, Wilhelm von Schadow, Hasenclever went home to Remscheid. There he taught himself portrait painting. An example of his work from this period is the portrait of Gertraude Scharff (1832-3; Remscheid, Dt. Werkzeugmus. & Heimatmus.). From 1832 to 1838 Hasenclever again studied at the Akademie in D?sseldorf in a painting class taught by Ferdinand Theodor Hildebrandt (1804-74). In portraits and humorous genre paintings Hasenclever found a field suited to his gifts. Pithy commentaries on the everyday life of the lower middle classes are present in all of Hasenclever's work. He was best known for subjects such as wine-tastings and cellar scenes, and he also made a series of Jobs pictures, humorous, ironic interpretations of popular life based on the poem 'Jobsiade', a grotesque and comic heroic epic written by Carl Arnold Kortum in 1784.
Jean-Louis Forain
1852-1931 French painter, printmaker and illustrator. Around 1860 he moved with his family to Paris, where he was taught by Jacquesson de la Chevreuse (1839-1903), Jean Baptiste Carpeaux and Andre Gill. He participated in the Franco-Prussian War (1870-71) and was a friend of the poets Paul Verlaine and Arthur Rimbaud; the latter is the presumed subject of a portrait (1874; priv. col., see 1982 exh. cat., no. 1) that may have influenced Manet late portrait of Mallarme (1876; Paris, Louvre). Forain first met Manet through his friendship with Degas in the early 1870s at the salon of Nina de Callias. He continued to associate with Manet, meeting the group of young Impressionists at the Cafe Guerbois and the Cafe de la Nouvelle Athenes. In 1878 Forain painted a small gouache, Cafe Scene (New York, Brooklyn Mus.), which probably influenced Manet Bar at the Folies-Bergere (1881-2; London, Courtauld Inst. Gals).






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